Tuesday, May 3, 2011

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Actor vs. personaje

difficult to find a theory that relates the general rule that exists when selecting players who fit their characters. In fact, there. However, it could establish a series of examples to help us a provisional theory.

of itself, a good performance is one that far from being exaggerated, that is about acting, it is natural and therefore reaches us believe that what happens on the screen, it could well happen in reality. To achieve this it is crucial that the actor or actress, you know get totally into character and he acts, no more Johnny Depp, but Jack Sparrow. In theory it is easy to describe, but the practice has been to be a bit more complicated. In

Part personal experiences will be important that the actor may have. That is, the lived experience has something to do with what we must live the character. Any particular experience, or momentary feeling that comes to be repeated in the film, enriched the performance. Thus, it will be easier to get into the character because you can relive something already known. A good actor is one who can take advantage of what your past has at his disposal.

remember some interviews with director Roland Joffe's "The Killing Fields" and "The Mission" - following his latest work, "There Be Dragons." Its title refers metaphorically the dragons that everyone could get to have: hate, love, betrayal, forgiveness, etc. Dragons are those dark spots and unexplored in our lives that at certain times come to light. One character has a painful experience having to betray their friends, their land, become the enemy of his friends, and when his head no longer stand this ordeal, break to mourn at the thought of what happened. The actor who directs this character is Wes Bentley, who noted that in a moment of his life was involved in drugs and about to be lost altogether. To have found this role in There Be Dragons was for him to revive. His drugs were his dragons. In the scene when he begins to mourn, Roland Joffé that when you finish recording and scream "cut", Wes Bentley was still crying and continued to do for a long time. Was reliving their experiences and excising their dragons. The character and his person were all one.

generally professional actors spend a few months to get to know his character and especially if they require certain physical or mental. Natalie Portman for her role in The Black Swan, trained for three months for their dance steps to be credible and even show that, as in the movie is devoted to it for several years. Natalie Portman won the Oscar for best actress. Another example is Christian Bale, who had to lose weight to play a junkie boxer and finish. The makeover, it also served to get into his character. He also won the Oscar for best supporting actor.

However, it is sometimes difficult to find players who may have some relationship with the characters. In fact, if given, is a point that is discovered later, when the actor knows where the personal experience that can serve you. If, however, these experiences do not exist or are very hidden, we must discover them, dust them off and seize them. At this point it is vital figure of the director, and more specifically the 'direction of actors ". In general, the characters in the movies directors such as Mel Gibson or Clint Eastwood, made amazing performances and much of this is because their managers were and are players enshrined. Thus, Sobenes what they want from the characters, and succeeds in finding. Angelina Jolie when she was nominated for best actress in her role in Changeling film was directed by Clint Eastwood just and safe in large part because of this. Apokalipto, directed by Mel Gibson, has a casting mostly inexperienced actors or unknown. Mel Gibson masterfully show knew what they needed and it was a masterpiece in every sense.

Another director who deserves to be mentioned, is Gillermo of Toro. In some of the interviews following his award-winning "Pan's Labyrinth", which had once had an actor who was not very good-for discretion would not disclose the name. At the risk of not being able to record the scene required, began to challenge the actor and even insulting, but very intelligent: 'I lied, you told me you were a good actor. I serve. I spoil the movie. You do not know act ". At this, the actor began to mourn, apologize and reply that he could do his job. While the actor cried and screamed, Gillermo del Toro turned the camera and recorded the scene. The result was excellent. There are thousands of ways to get the it takes an actor, this is just one example.

The English Cortes Rodrigo Buried direct, short film that has as a man wakes up in a box buried in Iraq, wanted his characters played by Ryan Reynolds, lived experience closely. To do this, put it in a wooden box to match the film and the whole lid sealed with nails. There he left a long time to feel so claustrophobic that it would be a similar experience. In the film, the results are very credible.

But perhaps the most graphic example that we could bring this to link the actor with his character is the debut of Quentin Tarantino, Reservoir Dogs. At the same, there is a group of gangsters after he robbed a bank, they have problems and betrayal within the group. When he met the full cast, the actors and the director found that all those gathered, had spent time in jail. Tarantino at the time thought that these actors were the best choice for your movie, because everyone knew what he was suffering in prison, they had all hated cops, and all these features were essential to the film. The result was also amazing.

As we have seen, there is no rule laid down to tell us what is the best way to find the actor referred to a role. However, there are personal experiences similar to those to be revived in the film, largely enrich the performance. Where none exists, shall be the duty of the director and actor, to find them. To successfully achieve this task, probably build an unforgettable character.

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